Toronto author Lily Chu employs a unique “audio edit” technique by having her computer read her finished books aloud as she engages in daily activities. This method allows her to experience her stories from the perspective of her audience, creating an immersive listening experience. Chu targets multitasking individuals, a significant portion of the population, as indicated by a recent report from BookNet Canada. The study revealed that 81% of respondents enjoy audiobooks while performing tasks like working, commuting, or doing household chores.
Chu’s debut novel, “The Stand-In,” was crafted during the 2020 pandemic and caught the attention of online audiobook and podcast service Audible. The platform decided to release “The Stand-In” as an “audio-first” production before its print version. Subsequently, Chu established a partnership with Audible and launched her sixth book, “Just Kiss Already,” following the audio-first trend in the romance genre.
Romance literature, known for its promise of a happy ending, has seen a surge in popularity in the audio format. Audible’s Diana Dapito highlighted the genre as one of the fastest-growing categories in Canada, with a substantial portion of listeners expressing a preference for romance. BookNet Canada’s data further underscored the rising interest in audiobooks, with the percentage of readers favoring this format doubling from 8% in 2020 to 16% in 2025.
Audiobook narrator Angelina Rocca emphasized the escapism offered by romance stories, likening the experience to “cinema in your ears.” Through strategic sound effects and vocal nuances that emphasize women’s perspectives and pleasure, narrators enhance the immersive quality of romance audiobooks. These narrative choices deepen the emotional connection between listeners and characters, a crucial aspect for the genre’s success.
Despite historical stigmas, the romance genre is gaining recognition and acceptance, with immersive audio formats providing a private and engaging way for individuals to explore sensuality and pleasure. Sarah Wendell from Smart Bitches, Trashy Books emphasized the genre’s immersive potential, offering listeners a personal world to enjoy discreetly. The increased popularity of romance literature means encountering fellow enthusiasts is more common than facing judgmental attitudes.
Lizz Kidd, a representative from Toronto’s Hopeless Romantic Books, highlighted the appeal of audio subscription apps for exploring different styles and levels of erotic and romantic audiobooks. These platforms provide a fun and interactive way for listeners to discover new narratives, support artists, and engage with diverse storytelling experiences.
